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Preview of Modern Methods of Carbon Printing - Second Edition

Modern Methods of Carbon Printing - Second Edition

COLLECTIONby COLLECTION

A New Treatise on the Modern Methods of Carbon Printing is a 261-page technical manual by A. M. Marton (author of The Photo-Oleograph Process and The Art and Processes of Ceramic Photography), self-published in Bloomington, Illinois, U.S.A., in its second edition (1905). The work is presented as the most comprehensive and practical treatise of its era on the carbon process, covering all aspects from basic chemistry to advanced double-transfer techniques and studio tissue manufacture. A portrait photograph of the author with a handwritten dedication appears on the second page.

The volume is organized in five parts. Part I covers introductory concepts, process overview, technical terminology, workroom requirements, pigment tissue, bichromate solutions, sensitizing and drying methods. Part II covers negative preparation, stripping and reversing plates, the photometer (including Marton's own design), printing operations and exposure theory. Part III covers single and double transfer processes, development techniques, hot weather printing, acid and alkali treatments, reduction, finishing, transfer to glass, canvas and ivory supports, and mounting. Part IV covers carbon positives on glass, window transparencies, lantern slides, toning and intensifying, negative reproduction, and enlargements by solar camera and artificial light. Part V (Appendix) covers the manufacture of carbon tissue in the studio, pigment selection, coating machines, and a brief history of the carbon process including Swan's original patent.

Table of Contents:

Part I:

  • p.9 Chapter I: The Introduction
  • p.12 Chapter II: A Brief Recapitulation of the Entire Carbon Process
  • p.14 Chapter III: Words and Terms used in the Carbon Process
  • p.20 Chapter IV: The Work Rooms, Arrangement of Light, etc.
  • p.23 Chapter V: The Carbon or Pigment Tissue — Its Condition and Appearance
  • p.26 Chapter VI: Bichromate of Potash — Bichromate of Ammonia — Bichromate Poisoning
  • p.28 Chapter VII: The Bichromate Bath — Formulae for Special Purposes
  • p.36 Chapter VIII: Practical Notes on Chemical Constituents of the Bichromate Bath
  • p.39 Chapter IX: The Squeegee, its Construction and Use
  • p.41 Chapter X: Sensitizing the Tissue — Various Methods
  • p.48 Chapter XI: Drying the Sensitive Carbon or Pigment Tissue
  • p.56 Chapter XII: Care of the Sensitive Tissue

Part II:

  • p.61 Chapter I: The Negative — Quality and Style — Prisms and Reversing Mirrors
  • p.66 Chapter II: Stripping and Reversing Negatives
  • p.74 Chapter III: The Make-ready or Preparing the Negative for Printing
  • p.78 Chapter IV: The Photometer — Marton's Photometer
  • p.82 Chapter V: Printing Operations — Finding the Speed of a Negative
  • p.87 Chapter VI: The Continuing Action of Light — Theory of the Latent Image

Part III:

  • p.91 Chapter I: The Single Transfer Process
  • p.97 Chapter II: The Transfer, or Mounting the Exposed Tissue upon Supports
  • p.106 Chapter III: The Hot Water Supply
  • p.108 Chapter IV: Development
  • p.117 Chapter V: Marton's Perfection Developing Tray
  • p.126 Chapter VI: Development on Heavy Celluloid, Porcelain or Opal Glass
  • p.129 Chapter VII: Carbon Printing in Hot Weather
  • p.132 Chapter VIII: The Use of Acids and Alkalies in Development
  • p.138 Chapter IX: The Reduction of Carbon Pictures — The Alum Bath
  • p.143 Chapter X: The Double Transfer Process — Waxing Solutions
  • p.147 Chapter XI: Opal and Ground Glass Temporary Supports
  • p.150 Chapter XII: Double Transfer Pictures From Polished Glass
  • p.154 Chapter XIII: Transfer to Dry Collodion Plates
  • p.157 Chapter XIV: The Wet Process — With Collodion Film
  • p.161 Chapter XV: The Final Transfer From a Flexible Support
  • p.166 Chapter XVI: Final Transfer from Glass or Opal Plates
  • p.170 Chapter XVII: Mounting and Finishing — Enameling Carbon Prints
  • p.175 Chapter XVIII: Carbon Pictures Upon Ivory and Canvas

Part IV:

  • p.181 Chapter I: Carbon Positives on Glass
  • p.183 Chapter II: Preparation of Glass Plates for Window Transparencies
  • p.186 Chapter III: Window Transparencies in Monochrome and Colors
  • p.190 Chapter IV: The Lantern Slide
  • p.194 Chapter V: Toning and Intensifying Carbon Pictures
  • p.198 Chapter VI: Reproduction of Negatives from Carbon Positive Transparencies
  • p.202 Chapter VII: Carbon Enlargements by Artificial Light and Solar Camera
  • p.206 Chapter VIII: Failures — Their Cause and Remedy

Part V — Appendix:

  • p.214 Chapter I: Carbon Tissue — Requirements for Studio Manufacture
  • p.217 Chapter II: The Choice of Pigments or Coloring Matter
  • p.222 Chapter III: The Manufacture of Carbon Tissue in the Studio
  • p.225 Chapter IV: The Gelatine Compound — Mixing the Pigments
  • p.234 Chapter VI: Preparing the Pigment Compounds
  • p.236 Chapter VII: Coating the Paper With the Pigmented Jelly
  • p.242 Chapter VIII: A Brief History of the Carbon Process
  • p.245 Chapter IX: Patent Specification of Swan's Carbon Process
  • p.257 Chapter X: Improvements of Swan, Johnson, Sawyer and Lambert

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Document Details

Format
PDF
Pages
261
Size
4.3 MB
Category
Photography

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